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Boundary House, Berkshire
“The one with the Snug”.
Boundary HouseBerkshire
Client — PrivateArea — 55sqmUse — Private ResidentialStatus — CompletePhotography — George Fielding
The extension to Boundary House is a considerate intervention that involves the demolition of the existing, incongruous breakfast room and conservatory and replaces them with a dining room and a snug. The site is comprised of several buildings, built at different stages and in various styles. The new 55sqm extension serves to visually, as well as physically, connect the existing Victorian House, stables (pool house) and cottage.
The simple design careful mimics the existing brickwork and carefully proposes new patterns of its own to complement the main house. The large glazing feature allows for the extension to open up completely onto the panoramic gardens, while the sedum green roof is another clever detail that creates balance between the old and new.
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Bodyworlds, London WC2
“The one with the 3D
printed façade”.
Bodyworlds
London WC2
Client — Soho EstatesArea — 31,000sqm
Construction Budget — £100m (Shell and Core)Use — Mixed UseStatus — On–sitetext here.
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Helen test extra
“The one with xx”.
Consort Road
London SE15Client — Lightbox
Area — 580sqm
Use — Residential
Status — Construction
This disused Victorian Relief Station in the Nunhead Green Conservation Area will be rejuvenated and converted to eight self–contained dwellings, thanks to the planning consent we gained for a developer client.
The appearance of this key unlisted building has been ruined by recent extensions to its principal façade on Consort Road.
The setting of the original buildings will be improved by the removal of these extensions. They will be replaced by an infill building whose form playfully echoes the existing characterful roofscape and entrance arch. The golden copper cladding both defines the contemporary element of the development and harmonises with the London stock brick, which will be restored and returned to its former glory.
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Malopolska Science Centre
“The one with xx”.
Portland Road
London SE25
Client — Private
Area — 565sqm
Use — Residential
Status — Planning permission granted
This new–build development on Portland Road will provide seven much–needed, generous, bright and well–designed apartments. These will reinvigorate a vacant and overgrown corner site on a South Norwood high street which has remained unchanged since the previous building was destroyed in a gas explosion ten years ago.
We have worked closely with the Local Authority to produce this scheme. It has been heavily influenced by our ultimate aim of contributing to the improvement and regeneration of Portland Road through the introduction of a high–quality development which reflects the most successful elements of the Local Area of Special Character.
The massing along Portland Road has been deliberately split into three to reflect the plot widths opposite. In addition, the red brick gabled façades have been replayed, and formed using contemporary decorative red brick (which reflect the site's past as a brickyard) and standing–seam metal in the same colour, to produce a sleek silhouette. The apartments themselves will each enjoy a sizeable terrace, as well as spacious and naturally–lit living accommodation.
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Martim Oliveira, Architect/BIM Coordinator copy
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Joanna Carey, Interior Designer

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Emerson Walker, Architectural Assistant

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Martina Meluzzi, Consultant
Martina Meluzzi
Consultant
Martina Meluzzi has over 18 years of experience as a
qualified architect, she has been involved in many different types and scales
of projects from private residential to mixed use developments, public
infostructure and cultural venues.
Martina started her work experience at Foster + Partners,
where she became an Associate in 2003. In 2008 she founded MAI studio, a design
practice specialized in high end residential, hospitality and cultural
buildings.
Martina has joined MATT Architecture as a design
consultant working with the practice alongside her own studio.
Prior to joining MATT, Martina has been involved with
Foster + Partners as design consultant on a number of projects and in
particular being responsible of the Belfiore high speed train station in
Florence, Italy.
Martina studied at the University of Rome La Sapienza
where she graduated in 2000 “cum laude” and at the Politecnico de Madrid.
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Patryk Paszkowski, Architectural Assistant

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Piotr Smiechowicz, Architectural Assistant
Piotr Smiechowicz
Architectural Assistant
Piotr
joined MATT Architecture in 2018 after graduating with a bachelor’s degree at
Lodz University of Technology in Poland and Polytechnic Institute of Castelo
Branco in Portugal in 2017.
He has
previously worked at FormArt Architectural Office and CoBouw in Poland where he
gained great experience in large–scale projects. Piotr played a key role in a
number of projects in Poland, developing his own concept designs and also
working on detailed designs.
Piotr is
also very active in the artistic world, where he combines architecture with
art. He exhibited his works at several international exhibitions and chaired
the artistic group “Detail”.
He
is currently part of the design team working on several office buildings in
London.
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Video (DRAFT)
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Link to project?
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Millmead
“The one with xx”.
Portland Road
London SE25
Client — Private
Area — 565sqm
Use — Residential
Status — Planning permission granted
This new–build development on Portland Road will provide seven much–needed, generous, bright and well–designed apartments. These will reinvigorate a vacant and overgrown corner site on a South Norwood high street which has remained unchanged since the previous building was destroyed in a gas explosion ten years ago.
We have worked closely with the Local Authority to produce this scheme. It has been heavily influenced by our ultimate aim of contributing to the improvement and regeneration of Portland Road through the introduction of a high–quality development which reflects the most successful elements of the Local Area of Special Character.
The massing along Portland Road has been deliberately split into three to reflect the plot widths opposite. In addition, the red brick gabled façades have been replayed, and formed using contemporary decorative red brick (which reflect the site's past as a brickyard) and standing–seam metal in the same colour, to produce a sleek silhouette. The apartments themselves will each enjoy a sizeable terrace, as well as spacious and naturally–lit living accommodation.
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Zurich
“The one with xx”.
Portland Road
London SE25
Client — Private
Area — 565sqm
Use — Residential
Status — Planning permission granted
This new–build development on Portland Road will provide seven much–needed, generous, bright and well–designed apartments. These will reinvigorate a vacant and overgrown corner site on a South Norwood high street which has remained unchanged since the previous building was destroyed in a gas explosion ten years ago.
We have worked closely with the Local Authority to produce this scheme. It has been heavily influenced by our ultimate aim of contributing to the improvement and regeneration of Portland Road through the introduction of a high–quality development which reflects the most successful elements of the Local Area of Special Character.
The massing along Portland Road has been deliberately split into three to reflect the plot widths opposite. In addition, the red brick gabled façades have been replayed, and formed using contemporary decorative red brick (which reflect the site's past as a brickyard) and standing–seam metal in the same colour, to produce a sleek silhouette. The apartments themselves will each enjoy a sizeable terrace, as well as spacious and naturally–lit living accommodation.
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Millmead, Berkshire
“The one we haven’t designed yet”.
Millmead
Staines upon Thames, UK
Client — Renshaw UK ltd
Area — 35,000 sqm
Use — Residential (275 units)
Status — Outline planning permission granted
Staines
suffered a reputational pasting in the early 2000s courtesy of Sacha Baron
Cohen’s ‘Ali G’, in part prompting its subsequent name change to
Staines-upon-Thames....like Henley and Kingston.
The
town is currently enjoying a minor renaissance however, in part due to its
affordability and excellent transport links to Central London, the wider Thames
Valley Corridor and Heathrow.
Despite
sounding like an unfortunate accident, the word ‘Staines’ actually has quite an impressive
pedigree and is derived from the Anglo Saxon for ‘Stones’. More unexpectedly
perhaps the town was originally founded by the Roman Emperor Claudius in AD 43
- when it was known as Ad Pontes (at the Bridges) – one of the earliest
crossing points of the Thames.
Staines.
The
Emperor Claudius.
Really.
We
were appointed to secure an Outline Planning Permission – changing the use of the
site from being single storey industrial sheds into up to ten storeys of
residential accommodation.
Being
an Outline Permission however we never got to design the scheme much past the
point of overall scale, massing, mix of units and access. On top of that a lot
of multi-unit residential schemes end up being pretty tedious to look at - and we
were very keen to create real character for the project, rooted in its
place.
So
we did some little vignettes to show which way we thought the design should
go.
Roman
basically. All bricks, arches, forums and colonnades.
Along
with ‘athletic’ people in togas.Much as you find on any self-respecting UK
high street to this very day.
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Paola Sakits, Consultant

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Simone Lam, Consultant

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Olga Jaglarz, Architectural Assistant
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Daisy Billowes, Studio Manager
Daisy Billowes
Studio Manager Daisy joined MATT in 2019 as Studio Manager. She has worked on the administrative side of Architecture for almost 2 years.
Her previous work as a Studio Assistant at PLP Architecture saw her as project assistant for research engaging wearables in the workplace, focusing on how architecture can influence productivity. She has recently finished designing a roof panel artwork and facade design for a new mixed use listed building in Peterborough Court in conjunction with this role.
Daisy is also a contemporary fine artist. For the past 6 years she has been intently studying and questioning the different forms of the printed image in relation to the history of craft, mechanical and digital (re)production. In 2017 she graduated from the RCA, having studied the Master’s Program in Fine Art: Print. The ideas in her practice are an exploration of materiality, exploring the scope of the world and emphasizing the tactility between the physical making and the digital realm. She presents works that are a visual exploration of how physical realms are understood by digital beings, and how these jarring interactions and our own processing of visual information investigates how artworks are perceived and understood.
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Daisy Adebiyi

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